聚焦设计思考,赋能城市未来。
回首刚刚过去的2020,对于设计行业的每个人,都是有着同样的故事与感受,一同在疫情的冲击与洗礼中,打磨自我,摸索前行。
设计赋能2021,诚邀并聆听建筑、设计、艺术、家居领域人物联袂发声。
他们带着对这个时代的思考,回应当下,面对未来,以更为开放的观念和思维方式做更多元化的尝试。
Jad RAAD,1978年出生于黎巴嫩首都贝鲁特,法国籍黎巴嫩裔建筑师、城市规划师,NETRM 的 MUSIP 项目主管。2007年获得黎巴嫩圣灵大学(USEK)建筑硕士学位,2010年毕业于韩国南部大学城市规划专业。之后Jad RAAD在黎巴嫩、韩国和中国从事建筑师和规划师工作,还是MENA (中东和北非)项目的国际运营经理,主要负责斗山和 Kettaneh 建筑。
Jad RAAD还热爱新闻工作,一直在参与KBS(首尔-阿拉伯语新闻部-首尔全景节目2008-2011) ,卡塔尔 Al-Kaas 电视台(2010年2月的亚洲比赛) ,RT (2018-2019) ,Al-araby 电视台(2020-2021)和 BBC (2021) 等媒体平台的工作。Jad RAAD还作为嘉宾,参与了 BBC-AlHura-Alshark-DW-法国24-Extra news-v-AlmanarTV-alam 电视台的直播。
Q:设计如何影响城市未来的发展?
A:这个问题的答案,总是随着世界与时代的变迁,而陷入永恒的变化之中。从几千年前的维特鲁威开始,到一百年前的勒 · 柯布西耶(托尼 · 瓜尼尔乌托邦) ,再到2021年新冠肺炎疫情的挑战,我认为这个问题的答案,首先来自于无论经历了怎样的风云变幻,城市管理的政治决策或制度都能够发挥应有的作用,并通过设计的能动性创造,将其战略转化为实践。
通过这种方式,我们可以透过勒 · 柯布西耶、托尼 · 瓜尼尔等社会先驱与麦肯锡等商业政治家之间的冲突与差异,窥探纷繁复杂、激荡不息的金融、政治和社会现象与风潮,并在这些因素真正的影响下,形成日趋成熟的战略观点。这是设计对国家、社会和人类的价值与能量,同时也是美学领域和维特鲁威的原则。
当然,正如有关部门缺少制定认真的防疫计划,那么对于城市健康与安全、远离新冠肺炎疫情,设计师同样无能为力。如果有关部门允许商人像海绵一样吸收全体公民的财富,麦肯锡的思潮就不可能为我们带来真正自由和正确的生活内容。因此,设计更多被看作是一种工具,但建筑师和城市规划师可以通过客观的专业方法,将官方的战略规划和观点,从政治决策的层面考量,转化为日常社会生活的真实体现。
This question is always in a perpetual movement. Starting from Vitruvius a few thousand years ago, all the way to Le Corbusier almost a hundred years ago (with Tony Guarnier utopia), until 2021 with COVID19 challenge. I believe that answer is coming on first as the political decision or system managing the city, and then the design can translate its strategy to practice.
In this way, we can see the difference between social pioneers such as Le Corbusier and Tony Guarnier comparing to some commercial politicians such as mckinsey.com. People can see the real impact when they have a strategic view (be it financial, political or social). That is the fundamental resource for design together with aesthetic field and Vitruvius principles.
A designer cannot make the city healthy and safe from COVID19 if the national government does not hold a serious plan. McKinsey plans cannot lead to democracy and right living conditions if the government allows business people to absorb all citizens' money the same as a sponge. So design is just a tool that architects and or urban planners can use by objective professional methods to translate a strategic plan and view from politics to daily social life.
Q:设计将如何影响我们未来的生活方式和家居生活?
A:无论是过去,还是未来,设计都是一种纯粹的文化认同的反映。因此,当我们拥有足够的知识(包括设计)和足够的能力时,生活这就是我们能够以正确的方式,创造、发展的成果、遗产。对于设计而言,知识和能力就是两只手,一只手离不开另一只手。
因此,设计将影响设计师,或作为一名生活的艺术玩家,或成为决策者的合作伙伴,将如何管理这些成果、遗产。几乎就像律师在未成年人满18岁之前无法处理遗产一样,设计是一个工具系统,它要以现实生活为出发点,并由设计者以客观的方法、辩证的思维来保证好的设计,从而达到品质在个人层面(当使用者作为单身时)、家庭层面、小社区层面(受使用者居住或工作网络的地理位置等限制)、大社会层面(家乡和城市)和国家和区域层面(直至社会和政治决策者计划),与国家、社会和全民共享。
In the future same as in the past, it is a pure reflection of cultural identity. So it is a heritage than we can develop in the right manner when we have enough knowledge (including design) as well enough power. Those are two hands which cannot work one without the other.
So design will affect how the designer, as a player and sometimes partner with decision-maker, can manage this heritage almost the same way as a lawyer can't handle the heritage until a minor has 18 years of age. Design is the system of tools, that designer can lead by objective method and dialectic problematic assuring the good. Benefits are shared with society and nations on an individual level (when a user in his house as a single), on a family level, on a small community (limited with the geographic location of the user residence or working network, etc.), on large society (hometown and or city), on national and regional levels (up to the social and political decision-makers plan).
设计赋能2021
聚焦设计思考 赋能城市未来
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